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The Johnson Museum holds more than 40,000 works in its collection from around the world.

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Admission for everyone is always free! Check here for current hours and more.

Visit The Museum Staff Publications Special Event Rental

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

Search All Africa Asia and Pacific Australia, New Guinea, and New Zealand Europe North America South America New to the Collection

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

On View Upcoming Past

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

Upcoming Past

A concrete-walled lobby with windows, a tiled floor, and a circular desk

Learn arrow_back

The Johnson Museum actively contributes to the intellectual life of our campus and community.

Students Faculty and Instructors Kids Teachers Initiatives

The top of a concrete spiral staircase with a wooden railing

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Help the Johnson Museum continue its legacy by making a gift today.

Membership Annual Fund Support Our Campaign Donating Artwork Planned Giving Museum Advisory Council

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Que se rompe la cuerda (May the rope break), Plate 77 of

Que se rompe la cuerda (May the rope break), Plate 77 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Lo mismo en otras partes (The same thing elsewhere), Plate 23 of

Lo mismo en otras partes (The same thing elsewhere), Plate 23 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

introduction (in spanish) to the original edition of

introduction (in spanish) to the original edition of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Tristes Presentimientos de lo Que ha de Acontecer (Sad Presentments of what must come to pass), Plate 1 of

Tristes Presentimientos de lo Que ha de Acontecer (Sad Presentments of what must come to pass), Plate 1 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Enterrar y callar (Bury them and keep quiet), Plate 18 of

Enterrar y callar (Bury them and keep quiet), Plate 18 of “The Disasters of War”, 1863

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Que Valor! (What Courage!), Plate 7 of

Que Valor! (What Courage!), Plate 7 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Escapan entre las llamas (They escape through the flames), Plate 41 of

Escapan entre las llamas (They escape through the flames), Plate 41 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Tambien esto (So is this), Plate 43 of

Tambien esto (So is this), Plate 43 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Sanos y enfermos (The sound and the sick), Plate 57 of

Sanos y enfermos (The sound and the sick), Plate 57 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

De que sirve una taza? (What good is a single cup?), Plate 59 of

De que sirve una taza? (What good is a single cup?), Plate 59 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Farándula de charlantenes (Troupe of Charlatans), Plate 75 of

Farándula de charlantenes (Troupe of Charlatans), Plate 75 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Lo mismo (The same thing), Plate 3 of

Lo mismo (The same thing), Plate 3 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Ya no hay tiempo, Plate 19 of

Ya no hay tiempo, Plate 19 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Esto es malo (This is bad), Plate 46 of

Esto es malo (This is bad), Plate 46 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Las camas de la muerte (The deathbeds), Plate 62 of

Las camas de la muerte (The deathbeds), Plate 62 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Carretadas al cementerio (Cartloads for the Cemetery), Plate 64 of

Carretadas al cementerio (Cartloads for the Cemetery), Plate 64 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Se defiende bien (He defends himself well), Plate 78 of

Se defiende bien (He defends himself well), Plate 78 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Se aprovechan (They avail themselves), Plate #16 to The Disasters of War., 1863

Se aprovechan (They avail themselves), Plate #16 to The Disasters of War., 1863

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Fuerte cosa es! (This is too much!), Plate 31 of

Fuerte cosa es! (This is too much!), Plate 31 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Madre infeliz! (Unhappy mother!), Plate 50 of

Madre infeliz! (Unhappy mother!), Plate 50 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Extraña devocion! (Strange devotion!), Plate 66 of

Extraña devocion! (Strange devotion!), Plate 66 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Que locura! (What madness!), Plate 68 of

Que locura! (What madness!), Plate 68 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Cruel lástima! (A cruel shame!), Plate 48 of

Cruel lástima! (A cruel shame!), Plate 48 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Qué alboroto es este? (What is this hubbub?), Plate 65 of

Qué alboroto es este? (What is this hubbub?), Plate 65 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Con razon o sin ella (With or without reason), Plate 2 of

Con razon o sin ella (With or without reason), Plate 2 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Las mugeres dan valor (The women give courage), Plate 4 of

Las mugeres dan valor (The women give courage), Plate 4 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Curarlos, y á otra (Get them well, and on to the next), Plate 20 of

Curarlos, y á otra (Get them well, and on to the next), Plate 20 of “The Disasters of War”, 1863

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Y esto tambien (and this too), Plate 45 of

Y esto tambien (and this too), Plate 45 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Así sucedío (This is how it happened), Plate 47 of

Así sucedío (This is how it happened), Plate 47 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Muertos recogidos (A collection of dead men), Plate 63 of

Muertos recogidos (A collection of dead men), Plate 63 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Murío la verdad (Truth has died), Plate 79 of

Murío la verdad (Truth has died), Plate 79 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Title Page: English translation of

Title Page: English translation of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Y no hai remedio (And it can't be helped), Plate 15 of

Y no hai remedio (And it can’t be helped), Plate 15 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Por Qué? (Why?), Plate 32 of

Por Qué? (Why?), Plate 32 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Caridad de una muger (A woman's charity), Plate 49 of

Caridad de una muger (A woman’s charity), Plate 49 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Gracias á la almorta (Thanks to the millet), Plate 51 of

Gracias á la almorta (Thanks to the millet), Plate 51 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Esta no lo es menos (This is no less curious), Plate 67 of

Esta no lo es menos (This is no less curious), Plate 67 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Y son fieras (And they are like wild beasts), Plate 5 of

Y son fieras (And they are like wild beasts), Plate 5 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Duro es el Paso! (It's a hard step), Plate 14 of

Duro es el Paso! (It’s a hard step), Plate 14 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Será lo mismo (It will be the same), Plate 21 of

Será lo mismo (It will be the same), Plate 21 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

No se puede saber por qué (Nobody knows why), Plate 35 of

No se puede saber por qué (Nobody knows why), Plate 35 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Si resucitará? (Will she live again?), Plate 80 of

Si resucitará? (Will she live again?), Plate 80 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

No llegan á tiempo (They do not arrive in time), Plate 52 of

No llegan á tiempo (They do not arrive in time), Plate 52 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Si son de otro linage (Perhaps they are another breed), Plate 61 of

Si son de otro linage (Perhaps they are another breed), Plate 61 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

No se convienen (They do not agree), Plate 17 of

No se convienen (They do not agree), Plate 17 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Bien te se está (It serves you right), Plate 6 of

Bien te se está (It serves you right), Plate 6 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Siempre Sucede (This always happens), Plate 8 of

Siempre Sucede (This always happens), Plate 8 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Aun podrán servir (They'll still be useful), Plate 24 of

Aun podrán servir (They’ll still be useful), Plate 24 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Todo va revuelto (Everything is topsy-turvy), Plate 42 of

Todo va revuelto (Everything is topsy-turvy), Plate 42 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

No hay que dar voces (It is no use shouting), Plate 58 of

No hay que dar voces (It is no use shouting), Plate 58 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Esto és lo peor (This is the absolute worst), Plate 74 of

Esto és lo peor (This is the absolute worst), Plate 74 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

El buitre carnívoro (The carniverous vulture), Plate 76 of

El buitre carnívoro (The carniverous vulture), Plate 76 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Estragos de la guerra (Ravages of war), Plate 30 of

Estragos de la guerra (Ravages of war), Plate 30 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

To lo vi (I saw it), Plate 44 of

To lo vi (I saw it), Plate 44 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

No hay quien los socorra (There is no one to help them), Plate 60 of

No hay quien los socorra (There is no one to help them), Plate 60 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Nada. Ello dirá (Nothing. We Shall See), Plate 69 of

Nada. Ello dirá (Nothing. We Shall See), Plate 69 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Ni por esas (or These), Plate 11 of

Ni por esas (or These), Plate 11 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Caridad (Charity), Plate 27 of

Caridad (Charity), Plate 27 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Lo Merecia (He deserved it), Plate 29 of

Lo Merecia (He deserved it), Plate 29 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Tampoco (Not in this case either), Plate 36 of

Tampoco (Not in this case either), Plate 36 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Bárbaros (Barbarians), Plate 38 of

Bárbaros (Barbarians), Plate 38 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Clamores en vano (Vain laments), Plate 55 of

Clamores en vano (Vain laments), Plate 55 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

No saben el camino (They don't know the way), Plate 70 of

No saben el camino (They don’t know the way), Plate 70 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Las resultas (The consequences), Plate 72 of

Las resultas (The consequences), Plate 72 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Amarga Presencia (bitter presence), Plate 13 of

Amarga Presencia (bitter presence), Plate 13 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Tanto y mas (All this and more), Plate 22 of

Tanto y mas (All this and more), Plate 22 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

No quieran (They do not want to), Plate 9 of

No quieran (They do not want to), Plate 9 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Tambies estos (So will these), Plate 25 of

Tambies estos (So will these), Plate 25 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

No se puede mirar (One cannot look at this), Plate 26 of

No se puede mirar (One cannot look at this), Plate 26 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Algun partido saca (There is something to be gained), Plate 40 of

Algun partido saca (There is something to be gained), Plate 40 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Al cementerio (To the cemetery), Plate 56 of

Al cementerio (To the cemetery), Plate 56 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Gatesca pantomima (Feline pantomime), Plate 73 of

Gatesca pantomima (Feline pantomime), Plate 73 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Qué hai que hacer mas? (What more can one do?), Plate 33 of

Qué hai que hacer mas? (What more can one do?), Plate 33 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Por una nabaja (On account of a knife), Plate 34 of

Por una nabaja (On account of a knife), Plate 34 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Tampoco (Nor do these), Plate 10 of

Tampoco (Nor do these), Plate 10 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Para eso habeis nacido (This is what you were born for), Plate 12 of

Para eso habeis nacido (This is what you were born for), Plate 12 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Populacho (Rabble), Plate 28 of

Populacho (Rabble), Plate 28 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Esto es peor (This is worse), Plate 37 of

Esto es peor (This is worse), Plate 37 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Grande Hazaña! Con Muertos! (Great deeds - against the dead!), Plate 39 of

Grande Hazaña! Con Muertos! (Great deeds – against the dead!), Plate 39 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Espiró sin remedio (There was nothing to be done and he died), Plate 53 of

Espiró sin remedio (There was nothing to be done and he died), Plate 53 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Lo peor es pedir (The worst is to beg), Plate 55 of

Lo peor es pedir (The worst is to beg), Plate 55 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Contra el bien general (Against the common good), plate 71 from the series Los Desastres de la Guerra (The Disasters of War)

Contra el bien general (Against the common good), plate 71 from the series Los Desastres de la Guerra (The Disasters of War)

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

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